Melanie Hargreaves – The Guardian, 5/12/2015
As the negotiations continue towards agreeing a set of sustainable development goals (SDGs) to come into effect next year, tackling gender inequality remains high on the agenda.
The current draft of the SDGs contains a standalone goal on the issue, which includes a specific target to “eliminate all forms of violence against all women and girls in public and private spheres, including trafficking and sexual and other types of exploitation”.
It’s a welcome move – and certainly more hard-hitting than the gender equality requirements of the millennium development goals, which saw donor countries target aid at education and health in developing countries, while ignoring other areas crucial to women’s rights, such as countering gender-based violence.
Jonathan Watts – The Guardian, 4/30/2015
Four Amazonian tribes have joined forces to oppose the construction of hydroelectric dams in their territory as the Brazilian government ramps up efforts to exploit the power of rivers in the world’s biggest forest.
The Munduruku, Apiaká, Kayabi and Rikbaktsa released a joint statement on Thursday demanding the halt of construction on a cascade of four dams on the Teles Pires – a tributary of the Tapajós.
They say the work at the main area of concern – the São Manoel dam – threatens water quality and fish stocks. The site has already reportedly expanded almost to the edge of a nearby village, although the local communities say they have not been consulted as they obliged to be under national laws and international standards.
Dom Phillips – The Washington Post, 4/27/2015
At first glance, the glittering career of Brazilian supermodel Gisele Bündchen is not very Brazilian. The supermodel, who retired from the catwalks at age 34 on April 15 in a blizzard of publicity, has pursued her profession with a Teutonic single-mindedness and efficiency, as befits her family’s German roots.
Friends, industry professionals and colleagues used terms such as “punctual,” “secure investment” and “well educated” to describe her — terms rarely associated with models, fashion or, indeed, tropical, impulsive Brazil, where she is often described as an über-model, rather than a supermodel.
Nonetheless, Brazilians can claim her as their own. “Gisele is what most represents Brazil abroad. It is Pelé, carnival and Gisele,” said Fernanda Tavares, a New York-based Brazilian model who has been her friend since they started their careers together 20 years ago, at age 14. Tavares was among those who suggested that Bündchen will still do select catwalk shows, as well as her advertising contracts.
Nicole Crowder – The Washington Post, 04/22/2015
Ahead of the upcoming 2016 Olympics to be held in Rio de Janeiro, Washington Post staff photographer Bonnie Jo Mount traveled to Piquiá de Baixo to document a community of residents in clay-brick and wooden houses suffering from the heavy pollution from nearby pig iron factories and the noisy Carajás railway that runs through the Amazon region transporting ore.
Away from the busy rail tracks and gathering dust, Mount documented a more personal portrait of the country via her Instagram, one that reflects a serene, even majestic Brazil. Vibrant tiles jut out from a red wall near contrasting green glass window shutters in Rio. A young man walks past a facade of wooden blue doors and iron balconies, oxidized over time by the elements in the historic district of São Luís. And while the southern coastal region of the country has suffered one of its most severe droughts in nearly 80 years, Mount’s vignettes are able to capture the soul and beauty of Brazilian landscapes, from its energetic beaches of Ipanema to aerials of the Amazon rainforest.
View images here…
Bianca Santana – Huffington Post, 4/6/2015
Gender, race and class are all intimately intertwined in Brazil. Using the needs of black women as my starting point, I’ll try to draft an overview, however simplified, of the disparities within Brazilian feminism.
Brazil has over 200 million people, of which 50 percent are women. Though our president is a woman, running for reelection against another woman, we are still underrepresented in politics. In our House of Representatives, less than 9 percent of the deputies are women.
Fifty percent of all Brazilian women are black, which means there are 50 million black women in the country — 10 times the population of Norway.
Saffron Alexander – The Telegraph, 3/27/2015
A brewery in Brazil is attempting to challenge the negative stereotypes associated with beer with Cerveja Feminista – a “feminist” beer.
The label features the symbol for gender equality and has been designed to get the advertising industry discussing the way women are portrayed and the lack of female art directors in Brazil.
The company behind the beer is activism group 65|10 – named because 65 per cent of women in Brazil feel underrepresented in adverts and only 10 per cent of those working in advertising are female.
Larry Rhoter – The New York Times, 3/23/2015
Sebastião Salgado has won every major prize a photographer can receive, with his crisp, compassionate black-and-white images, many of them from war zones and other locations of human suffering, hanging on the walls of museums, galleries and private collections around the world. His books, including “Workers,” “Migrations,” “Sahel” and, most recently, the nature-oriented “Genesis,” have consistently met with commercial and critical success.
Now, as if to complete the picture, a documentary film about Mr. Salgado, 71, and his work is about to opens in theaters across the United States. “The Salt of the Earth,” a collaborative effort between the German director Wim Wenders, who is also a photographer, and Mr. Salgado’s son Juliano Ribeiro Salgado, was nominated for the Oscar for best documentary film, won a prize at the Cannes Film Festival last spring and last month was also awarded a César, the French equivalent of an Academy Award.
The documentary features Mr. Salgado explaining, in French and Portuguese, how he came to take some of his best-known images, such as those from the Serra Pelada series shot in a gold mine in the Amazon 30 years ago. But it also makes clear that his path to becoming a renowned photographer was arduous: He was born deep in the isolated Brazilian interior, scrimped to get an economics degree, left his country and took refuge in France after a military dictatorship seized power in Brazil, and in the mid-1990s suffered what he called “a deep psychological crisis” after covering the genocidal civil wars in Rwanda and Bosnia and had to recalibrate the focus of his work.